A confusing romance: a thriller, it seems, since it opens with a strange death that the hero is quick to hide, but that quickly becomes the presentation of the pathological case of a person haunted by the trauma childhood that interfere with his present, causing discomfort unexplained absences..

That person was Mark, a failed writer, a teacher whose position is threatened, a child who was unloved and mistreated, which maintains a relationship with his sister and incestuous fusion, which conceals the emptiness of her love life by multiplying night-night with his students and believes he has finally found Myriam (the one that actually investigate him.) the woman who could bring peace and stability.

By sharing the consciousness of the hero, his troubles, Djian offers a narrative in which readers should reconstitute itself links between flashes on the traumatic scenes of the past and the scenes of this strange sometimes, and thus a more evocative narrative explained, which includes empty, symbolic scenes: in particular those of the abyss, a place of burial of corpses and secrets, but also sort of protective cocoon and place of regeneration, perhaps the female image.

An attractive university professor who sometimes gives to the advances of his students, who smokes one cigarette, and saw a strange relationship with his sister, that’s what awaits you here, and this is just the beginning.

Into the abyss, that is where Marc hides the corpses as the other drop in cupboards. Intriguing, disconcerting novel Djian. Psychoanalytic novel, which pits contain shameful secrets, where the games mirror reflections refer a chaotic history, because what is it that these two protagonists almost homonyms women, except that the Yin and Yang and tumultuous love life of Mark. This teacher coward enough letters at the bottom, this being mesmerized by his sister with whom he tangled like two snakes lewd and convicted. It is a darker novel than those to which we are accustomed Djian, more intriguing as these unspoken, these attitudes give ambiguous throughout the book a feeling of floating, of evanescence. The story of a man arrived at an end, bending under the weight of its history and seeing the future in the most total uncertainty. Maybe Djian Is a turning point in his career. His usual dashing hero, haughty and passionate, no draw here in their memories as crutches to hold up the next step. Djian was already heavily influenced by American literature that he had skilfully adapted, here more clearly near a Phillip Roth et al. A good book transitional, bewildering.

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